Category Archives: Art

Aromatic Identities

Our sense of smell is a truly astonishing thing. Although humans have fewer olfactory receptor genes (so, basically, genes which allow you to smell a greater range of scents) than most mammals, because of our higher brain power, we’re still damn good at smelling what is what. In fact, what makes scent amazing and interesting is how little it has to do with our nose, and how much about our brain. Of course, without noses we’d be unable to smell anything. But that’s just pure mechanics. Where things get really interesting is how those smells get processed by the brain. The signals from our noise when we smell stuff terminate right next to our amygdala, which has a large role in how we process our memories. This means that scent is very strongly linked to memories for us – with memories evoked by scent often being far more emotional and evocative than that of memories evoked by sight or sound. Even more interesting, the memories evoked by scent often come from the earliest years of our lives – so it really goes back all the way, bringing back experiences which are often unreachable through sight and sound.

Because of all this, it’s interesting to see how scent can define us. Can a personality profile tell us what scents we’d like; or vice versa , can the scents we like reflect our personalities? This is, in essence, what Fragrance Lab at Selfridges is attempting to do – find your perfume prescription based on primarily on a personality profile, and secondarily on your reactions to a kind of “scent adventure”, culminating in the ‘fragrance garden’, where you’re guided through a number of rooms filled with different fragrances. You’ll smell things you love, and never want to leave (I was so wrapped up in smelling books that I got completely lost for a few minutes!), and odors you’ll hate so much that you’ll wonder how anyone could like them. Yet some people still do – the fragrances you like can define you in a way your favourite colour or texture never could, because of their strong link  to memory.

I had the very lucky chance to go through the Fragrance Lab – the Immersive Experience, as they call it, when you do both the personality profile and get to go on a “scent adventure” (my own name for it, because that’s basically what it felt like!) which culminates in an amazing “fragrance garden” (theirs). From this, you get your own fragrance prescription (which you get a bottle of), which is built up mainly from your personality profile. The fragrance prescription even influences the kind of bottle your fragrance comes in – which it’s modern, or classic, or something else entirely!

I actually had two fragrance prescriptions, the first being simply from my personality profile. This was intensely modern, and unusual – something that would easily stand out of the crowd. However, my “scent adventure” revealed that however modern and unique I may think I am, I’ve got a massive soft stop for antiquity. My second (and final) perfume prescription – number 147 – was incorporated that as well.

Modern and outgoing, but with an immense sense of nostalgia for the old. Pretty much me – I’m forward thinking, and very much ‘out with the old and in with the new’ when it comes to pretty much everything, but then I’m a sucker for beautiful antiquity. Give me a massive wooden library with leather chairs and stacks of old books over a shiny new iPad or eBook anyday. To quote, the key fragrance notes are ‘antique wood, whiskey, and fern’,  seeming to have a hint of spice to it, and coming in a classic glass bottle – it’s a scent which brings me back to curling up in the corner and reading books, while my Mum burns frankincense in the next room, which just slowly makes its way towards me. It’s also very different from my other perfumes, my favourite of which is very clean cut, and fresh and androgynous. This is far more deep and dusky – a scent I’m very glad to be able to add to my shelf – something more comforting and which I can just relax into. I often use scent as a way of projecting elements of myself which are perhaps not as strong otherwise – this is a more rounded fragrance which I could say expressed all of me. It’s strong yet understated, confident get still slightly reserved, with a hint of the unusual.

To see yourself profiled through fragrance is a very unique and wonderful experience – I may have taken hundreds of online personality tests, but this really reveals something deeper, especially  on the “scent adventure”. The Fragrance Lab was a truly amazing experience, something I’m so pleased I was able to take part in, and something I’d recommend to others quickly. Now, if you’ll excuse me, I’m going to get back to smelling my perfume (it’s addictive, but that might just be the high alcohol content!) and daydreaming about massive libraries and old books.  – oh Alexandria, how I mourn you!


First, I have to thank my sister Tiffany for getting me my spot in the Fragrance Lab – I’m so glad I had the opportunity to experience it! Also, thanks to everyone who worked on and built the Fragrance Lab, creating such a unique and interesting (and also revealing!) experience, and also Selfridges for hosting it. 

I never realised how much scent meant to me – how much I hated certain smells, and was comforted by others. Yes, I knew about the fact that it was the most evocative sense, but I had never really experienced it for myself up till now. Fragrance Lab really opened up my nose, so to speak. 

What does smell mean for you? Are there certain smells which disgust you, but others love? And what makes a fragrance beautiful, and makes you want to wear it – does it have to evokes memories, or maybe project an image? Or do you try and find scents that fully evoke yourself, and nothing else – not something to hide behind or blur the corners, but to fully outline yourself, and nothing else. 

The Future Dimensions

From The Artistry of 3D, now we’ve got fashion with a futuristic edge. With graphic shapes and neon colours, we’re pushing forward to the era of science fiction, the kind of world which first spawned the idea of 3D printers.

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As soon as I knew I was going to write about 3D printers, I knew I wanted to put together a futuristic, scifi-inspired outfit. This immediately made me think of graphic, brightly coloured shapes and prints. My mum passed down this Claude Montana dress a while ago, but I’ve always been too terrified to wear it because of the fluorescent colour, but for this it was perfect, reminiscent of The Fifth Element almost. I accessorised with extremely shiny black nails and Office shoes, trying to bring an element of plasticity to the whole thing, being the material which is firstly one of the most commonly used in 3D printing, and also one of the most popular materials of modern times. The gold Accessorize  cuffs were added partially to stop it all looking like Halloween dress up, and partially for the graphic edge they added.

I wanted to play with the editing of the photos, partially inspired by Nick Knight’s iPhone editing, and so (after downloading about six different Glitch apps) I settled on using Glitch.Simply to bring a distorted post-modern edge to the whole thing, as it was ridiculously easy to use (hence the name), and also created a kind of ‘printer error’ effect that I thought fit very well with the theme. Especially as this look was put together and shot quite hastily due to my exams, I thought it’d be good to try and add something different to the look through the editing process.

I really like this outfit – I think however I’d maybe want to develop it slightly more before it would be a very good ‘night out’ outfit, possibly by experimenting with different shoes and nail colours, and looking at other accessories. Even so, I’m very glad I finally put the amazing dress to use!


This look was shot in South Kensington by my lovely friend Noor, who’s been an absolute star at helping me out (slightly easier as she lives in the same building as me!).

Even though I’ve finished exams, I’m still bogged down by project work at the moment, meaning that things are still a bit rough around the edges – but I now have time to actually do something, which is an improvement on last week! Hopefully in the next few weeks the quality of my posts will be improving massively, as I’ll have far more free time on my hands, so you can look forward to that. 

The Artistry of 3D

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3D printing has opened so many new doors in the scientific world. From everything from engineering to medicine, now scientists can create new parts for machines and people at the click of a button, drastically reducing manufacturing costs (once you’ve bought the ridiculously expensive 3D printer, of course). But now prices are dropping, and you can even find instructions online on how to build a basic 3D printer in your home, and of course, there’s always the concept of renting or borrowing a 3D printer and printing a 3D printer with it. Either way, this once elusive and science fiction object is become more and more of a reality day-by-day.

Of course, there have been a large amount of worries surrounding the fact that is becoming increasingly easy to download plans for anything off the internet, and print it yourself. Will people just stop buying things completely, and high street shops go into a downward economic spiral? It seems unlikely, although there’s sure to be a shift towards more personalised products as it becomes easier and cheaper for companies to produce one off items through 3D printing.

But what about people printing things they can’t find in high street stores – things like guns, and other weapons. Already there is a group based in America called Defense Distributed who have created a working, fully 3D printed plastic gun. It’s a worrying thought that nearly anyone could print out a working gun that would be undetectable to metal detectors (legally Defense Distributed have to insert a block to metal into all their guns so that they can be detected by metal detectors, but who’s to say that every person who 3D prints a gun will be so law abiding).

But whilst there’s been a lot of worry surrounding the danger of 3D printing, and excitements surrounding the technical and scientific breakthroughs it could bring, there’s been less focus on the amazing new format it gives to artists. For the first time in history you can create a picture-perfect sculpture – scan anything you like in, and print it exactly as it. What photography was for the visual arts, 3D printing is for sculpture. And just like photography did, it opens up new avenues; both by opening up sculpture to a whole new realm of artists, but also through the ability to edit sculpture. Instead of working for months to try and create a perfect representative of the real world, 3D printing allows artists to capture reality instantly, and then do with it what they will – destroy it completely and build it up even more. Whether it be digital customisation before you print the sculpture, or whether you print as is and edit after, it opens up a whole new world within sculpture that the other visual arts experienced at the dawn of photography. And look how many amazing artists of the past century were photographers – will the coming century spawn it’s own generation of 3D printing artists?

There are some who are already using this new material. Nick Knight and SHOWstudio have used 3D scanning in many of their projects, both 3D printing the final images, or purely using the scans themselves to create strange ‘more-than-2D, less-than-3D’ images, things which are almost fractal, but one dimension up. Iris van Herpen created the first 3D printed garments to grace the catwalk. There are so many artists from so many walks of life now using 3D printing as their medium, and their numbers will only grow as it becomes more accessible.

3D printing is literally something out of a science fiction novel, and although it brings with it so many opportunities, it also brings a large amount of responsibility. Like all exciting and new technologies, it is in the end not defined by the technology itself, but by the way people use it. Let’s try and make sure we use it well, and for the right reasons.


This blog post was inspired by the Science Museum’s ‘3D: Printing the Future‘ exhibition (hence the subtitle), which you should definitely go check out, but if you can’t they’ve got lots of very interesting information about the whole thing right here. It was also partially inspired by Nick’s use of 3D scanning and printing in his work – it really opened my eyes up to a whole new way of using the medium. Iris van Herpen’s 3D printed clothing also got me so excited, and I wish I could have seen the show it was all in! However, there are many many 3D artists out there, and I do not know all of them, and couldn’t talk about each and everyone one anyway. If there are any out there whose work you really admire and love, please leave a comment below about them, as I’d love to learn more!

On the more general things: I’m back! My exams are over! (Although I’ve still got a big project going on, which is why things may still be a little rushed and hasty at the moment). It’s all very exciting, and now I will be getting back to regular posting, and I’ll also hopefully be uploading some of my older work (essays, poems, etc) soon, so you have some new stuff to peruse.