From The Artistry of 3D, now we’ve got fashion with a futuristic edge. With graphic shapes and neon colours, we’re pushing forward to the era of science fiction, the kind of world which first spawned the idea of 3D printers.
As soon as I knew I was going to write about 3D printers, I knew I wanted to put together a futuristic, scifi-inspired outfit. This immediately made me think of graphic, brightly coloured shapes and prints. My mum passed down this Claude Montana dress a while ago, but I’ve always been too terrified to wear it because of the fluorescent colour, but for this it was perfect, reminiscent of The Fifth Element almost. I accessorised with extremely shiny black nails and Office shoes, trying to bring an element of plasticity to the whole thing, being the material which is firstly one of the most commonly used in 3D printing, and also one of the most popular materials of modern times. The gold Accessorize cuffs were added partially to stop it all looking like Halloween dress up, and partially for the graphic edge they added.
I wanted to play with the editing of the photos, partially inspired by Nick Knight’s iPhone editing, and so (after downloading about six different Glitch apps) I settled on using Glitch.Simply to bring a distorted post-modern edge to the whole thing, as it was ridiculously easy to use (hence the name), and also created a kind of ‘printer error’ effect that I thought fit very well with the theme. Especially as this look was put together and shot quite hastily due to my exams, I thought it’d be good to try and add something different to the look through the editing process.
I really like this outfit – I think however I’d maybe want to develop it slightly more before it would be a very good ‘night out’ outfit, possibly by experimenting with different shoes and nail colours, and looking at other accessories. Even so, I’m very glad I finally put the amazing dress to use!
This look was shot in South Kensington by my lovely friend Noor, who’s been an absolute star at helping me out (slightly easier as she lives in the same building as me!).
Even though I’ve finished exams, I’m still bogged down by project work at the moment, meaning that things are still a bit rough around the edges – but I now have time to actually do something, which is an improvement on last week! Hopefully in the next few weeks the quality of my posts will be improving massively, as I’ll have far more free time on my hands, so you can look forward to that.
So, the Diesel Pre-Fall campaign just came out, and you’ll never guess who’s in it! (Or, well, you probably will given that I’m posting it here, but anyway.) ME! It’s all rather exciting, and a massive privilege to be part of, especially it being Nicola Formichetti’s first fully-formed ready-to-wear collection, and the photos are by the amazing Nick Knight.
It was such a great shoot to work on, with so many lovely people – both the other models, the make-up, hair and nails team who worked in tandem with the stylists to keep us looking beautiful, and pretty much EVERYONE (especially the catering team, cause DAMN the food was good!). And I’m so happy and excited with how the photos came out – inspired by the classical, with Michelangelo edges, but with a ‘pop-Picasso’ take on the whole thing. As Formichetti puts it, it’s neo-neo-classical.
The images are from here, where you can find a few more close-ups which I didn’t include (partially because you can already see them in the bigger pictures, and partially because, well, this is a blog about me, hah).
Credit can be found at the link above, or in the read more below.
Moving on from from the psychological in Emotional Evolution last Sunday, we now have the physical (well, kinda – the fashionable!). Here, the fashion focuses on organic themes evolving into a urban emphasis (London, of course). Inspired by the urban, there’s more streets brands involved (in fact, this outfit is entirely my own wardrobe, unlike most of the previous looks, with the exception of Imperial Geek Chic which was also all me). It draws on both the natural, with earthy tones, but painting them in a new light, with modern styles and city skylines.
My first thought for this outfit was something exceedingly natural – all earthy tones, and I’d shoot in a park and all that. I even went as far to put pieces of the outfit together before I realised it wasn’t right. The outfit was fine, but it didn’t fit. This was about evolution, not simply ‘nature’.
With this in mind I changed the shoot and outfit almost entirely. I kept the earthy tones, but offset them with splashes of colour and modern patterns; the stripey D&G bra, the embroidery and gold belt on the Punkyfish combats, and the print on the Iron Fist shirt. I moved away from natural flowing shapes to ones more edgy and urban, and brought in some ferocity with my distressed denim Ash heels, which was also added to via my Una Burke leather cuff and Bamford leather bracelet. The set changed from a purely organic nature setting to that of an urban garden.
All in all, the final look was one I’m very proud of. It had the organic and natural edge, but evolved into an urban setting. I’m very much looking forward to finding an occasion to wear it!
I’m so happy with how this look turned out, especially given how unsure I was about the outfit and setting (I was making changes right up till the very last moment, and had hardly planned the makeup and hair at all). The pictures were taken by my awesome sis Tiffany, who resides on twitter and Instagram, and the set was my home (the front ‘garden’ and roof ‘garden’ although there’s no actual grass anywhere).
I also want to give a quick shout out to Rebel State (also on twitter and Instagram!), as that’s where I got the Iron Fist t-shirt, which I love to bits, and it’s also where I get the majority of the awesome stuff I wear day-to-day. I love them because they stock lots of different brands, but all in line with the type of stuff I like – street style with a dark edge. I’m sure you’ll see more stuff I got from them on here over time, as it’s pretty much where I go whenever I’m in Camden.
In Metamorphosis on Sunday we looked into the bizarre yet beautiful way iridescent blues are created in the Morpho butterfly, and how the complex form and style of nature could inspire modern artists and artisans such as Shaun Leane. Still keeping with Shaun Leane, with a look inspired by the bespoke gold beetle brooch he created for SHOWstudio, we move away from the cool blues to the fierce and fiery reds and golds, from something delicate and purely organic, to something strong and alchemical, more representative of the jewellery and metals themselves than the nature which inspires it.
When I first heard about the ‘SHOWcabinet: Shaun Leane’ exhibition it was being promoted with the image of a golden beetle. Because of this, my journey to find the perfect outfit initially centred purely around metallics, the hints of which can still be seen in the golden accents of the final look (and the slightly less visible golden eyeshadow and nails!).
However, although I rooted through my mum’s closet and tried on all the garish gold and other traditional metallic pieces, nothing seemed to quite fit with the mood I wanted to achieve – something with an animalistic ferocity yet elegance, but also a hint of modern urban chic – and the only thing I was sure of were the KG black and gold heels, whose height (yet elegance) also gave me a kind of feminine ferocity which fit in perfectly to the look.
Because I was originally looking for only golden metallic tones I didn’t originally look at the red iridescent wrap-around top, because I was thinking of basing the outfit off a more vibrant/garish metallic piece. When I realised the kind of mood I wanted to portray, however (instead of simply basing my choices on colours) I realised it was the perfect fit, especially with the almost serpentine red-and-gold striped ties. The realisation of the theme also lead me towards gold accents, such as the Accessorize gold cuffs, to create a sleek darker shape which used the gold as a highlighter.
Although the look was in some ways inspired by the natural world and organic forms, it also had to have a modern elegance represented by Leane’s work. From the look, the slicked back hair and tailored Westwood mini skirt contributed to that, and the chic urban setting of Knightsbridge completed it. This is possibly one of my favourite outfits yet – I almost wore it to the opening itself, but the tininess of the miniskirt and the height of the heels changed my mind. Still, I’d love to wear this outfit out at some point, maybe with the additional accessories of Leane’s own work – I’m pretty sure it’d come in at the definition of a ‘manneater’!
I know I’ve just said it, but GOD I love this outfit/look! Now I just need a damn excuse to wear it somewhere (or I’ll end up going to Sainsbury’s dressed like this, which may be fun, but will just make bringing back the groceries very tricky).
The photos were taken by the amazing Biju, who is not only a damn great photographer, but also a kick-ass writer! Some people just have all the luck, hah. You can find her on twitter and tumblr and keep up with all the awesome stuff she does.
My exams are coming up now, so although I will still be posting, expect shorter and maybe shoddier posts over the next fortnight or so. However, once exams are over? It’ll be high fashion blogging time! (Probably.)
Think about the coastline of Britain. Yeah, I know, it’s probably not your choice of scintillating subject (unless you’re a geologist), but hopefully that’s going to change. Now, if you were to measure the coastline of Britain with a 200 km ruler, you’d get a value around 2400km. If you measure it with a 50km ruler, you add about 1000km on to that number – the coastline is now 3400km. And as the ruler gets smaller, the coastline gets bigger and bigger, all the way to infinity. To put it in mathematical terms, as the length of the ruler tends to zero, the length of the coastline tends to infinity.
This sounds bizarre – am I really trying to say that if you measured the coastline of Britain with perfect accuracy that it would have infinite length? Yes. Yes I am, however counterintuitive that may sound. And funnily enough, the coastline of Britain isn’t some sort of anomaly of nature – shapes like these show up everywhere, from clouds to bark to lightening strikes. They’re called fractals, and are characterised in ‘the broken, wrinkled and uneven shapes of nature’ (in Mandelbrot’s words, who was actually the person to coin the word ‘fractal’), and on a deeper level the characteristic of self-similarity within an object, where smaller part of that object look the larger bits.
To fully understand this, it’s probably best to give an example of a classic fractal, the Koch snowflake. For the Koch snowflake you first start with a normal equilateral triangle. Then you put a triangle a third of the side in the middle of each of the edges, then a triangle a third of the size of that triangle along all the new sides. Lather, rise and repeat an infinite amount of times, and you have the Koch snowflake! Magnify any part of the Koch snowflake, and you see the pattern at the macro scale repeated at the micro.
Fractals are far more representative of the real world than the traditional ideal Euclid forms. They are not perfect in the sense of being smooth and impeccably formed – they are perfect in their complexity, in their pitted and splintered nature. From the minimalist Sierpinski’s gasket, to the (initially apparently simple) infinitely intricate Mandelbrot set, fractals are mesmerising, and oddly familiar. Once you’ve got the concept in your head, you start seeing fractals everywhere, both in the physical world, and in art. Complex subtext in literature doesn’t have a linear relationship, it has a decidedly fractal one. More than one dimension but less than two, fractals have a kind of convoluted cohesion that springs up everywhere in nature, and lends itself equally to both the scientific and artistic eye.
Fractals are everywhere around us – in the sky, in the plants in your garden, even in your food. (Believe it or not, broccoli is fractal – that’s why smaller broccoli florets look like shrunken heads of broccoli!) You’ve probably seen fractals hundreds of times, and maybe even admired their beauty, whether it be appearing in the bark on trees or in clouds in the sky, and learning and understanding the mathematics behind the art just makes it even more mesmerising. Learning the mechanics behind the artistry of the universe does nothing to detract from it’s beauty, as some would like to claim, but simply adds to it. Ignorance, in this case, is most definitely not bliss; knowledge is.
If you’ve enjoyed this blog post, I strongly recommend ‘Introducing Fractals: A Graphic Guide‘, which was one of the first books/comics I read explaining the subject, and was such a great form of media to get into fractals via – it’s definitely a subject in which the use of images helps out! (I also recommend ‘Introducing … : A Graphic Guide’ series in general – they’re very good at explaining a subject in brief without overly simplifying the concept!)
Also, if you’re loving the beauty behind fractals, there are so many mesmerising videos out there which zoom in on the border of the Mandelbrot set which I could watch for hours – here’s one I found quite quickly on Google. I must also give credit to Theo Emms (who’s does theoretical physics with me, and lives in the same halls) for the enlightenment that broccoli is fractal!
This blog post was inspired by the topics I babbled on about in the recording for the fashion video for The Elegant Universe editorial which just came out (and I’m the star of – let’s not forget to mention that!), most of which got cut out in the final video (as I babbled on for over an hour!). If you love the influence of science on art, and vice versa, you should definitely check out the editorial – it’s in V magazine, with so many amazing people who worked on it. Nick Knight shot it, Amanda Harlech styled, Sam McKnight was on the hair, Peter Philips did the make-up, Marian Newman did the nails, and last but not least, Kev Stenning did the 3D scans (yep, there are 3D scans!).
So, today was the release of an editorial I’m in! It’s called ‘The Elegant Universe‘ and published in V magazine, and was shot by Nick Knight, and styled by the lovely Amanda Harlech (and then there’s so many other awesome people who worked on it – Sam McKnight, Marian Newman – pretty much everyone was awesome).
It’s really inspired by the artistry and elegance of mathematics and beauty, and vice versa – how maths and science turn up in art. It was such an amazing thing to shoot – firstly because I love everyone on the SHOWstudio team & co (they’re like some sort of fashion family to me), so I was comfortable with everyone and in my element, but also because (as you’ve probably realised by now) the junction between science and art is my element. If you watch the video, everything I babble on about in the video is straight from my head, no prompts or practice.
You should definitely go check it out – not least because this weeks posts are sort of inspired by the themes that inspired the shoot (or at least the tangents that I managed to babble on about, not all of which made the cut for the video). Also, because it’s turned out really well, and for all you geeks – there are 3D scans involved! It’s for both the science and the art nerds!